Long relegated to the margins,┬аvideo game┬аscore soundtracks are finally getting recognized with their own category at this year’s Grammy Awards.
Five nominees will compete at Sunday’s show, out of the 70 original scores submitted for the category’s maiden year. The nominees are composers Austin Wintory for Aliens: Fireteam Elite,┬аStephanie Economou for Assassin’s Creed Valhalla: Dawn of Ragnarok,┬аBear McCreary for Call of Duty: Vanguard,┬аRichard Jacques for Marvel’s Guardians of the Galaxy┬аand Christopher Tin for Old World.
The success of video game music coincides with the overall growth of the global games market, which in 2022 generated total revenues of $184.4 billion US┬аand is expected to reach $211.2 billion US in revenue by 2025, according to data analytics firm Newzoo.
The video game industry also flourished during the COVID-19 pandemic as people increasingly turned to digital entertainment during lockdowns.
“It was only a matter of time before the Grammys recognized that there were a lot of soundtracks being produced for video games and they’re all very good,” Tin told Reuters.
Tin’s Baba Yetu┬аtheme for the game Civilization IV┬аwon the best instrumental arrangement┬аGrammy in 2011, making him the first video game nominee and winner, while Wintory’s soundtrack for the game Journey┬аwas nominated in the best score soundtrack for visual media┬аin 2012.
“Video games have been making waves with new revenue streams for some time,” Uziel Colon, who helped develop the new category, told the Grammys. “In the future, video games and music will merge тАФ┬аit’s already happening.”
Eligible since 1999, only one nomination
However, video game music has not always hit all the right notes to be specifically recognized at the Grammys.
“Video game music has been eligible for the Grammys since 1999, and only one score had ever been nominated before, which was ten years ago. There are people who I think were dissatisfied with that,”┬аWintory told Reuters.
Wintory said video games were not being nominated at all when the category they fell under was best score soundtrack for film, television┬аand other media┬аbecause being labelled other media┬аwas “marginalizing”┬аthem as a sort of miscellaneous category.
But game music is breaking ground through technological innovation and new avenues for consumers to experience it.
This includes live immersive video game concerts, video game scores across platforms like YouTube, Twitch, TikTok and Fortnite, remixes and collaborations, augmented and virtual reality, and even eye-tracking technology.
Economou told Reuters that having Grammys recognition provides validation that video game music is shaping “the musical landscape of society.”
‘It’s a close collaboration’
McCreary, who has composed music for popular shows like Battlestar Galactica, The Walking Dead┬аand The Lord of the Rings: The Rings of Power believes composing for games, movies and TV shows is not so different.
“For me, story and theme are universal,”┬аhe told Reuters.
Yet, he said video games have unique challenges for composers because they are interactive experiences versus only being witnessed by the audience.
The music must “work in a unique technical capacity, beyond simply supporting narrative,”┬аhe said.
Collaborating with game developers and audio teams informs his ability to write music that can be smoothly integrated into a video game.
“It’s a close collaboration unlike anything else in the entertainment industry,”┬аMcCreary said.
